A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 71
An Anthology Melvin Miller Rader. CHAPTER 3 Intuition - Expression . HENRI BERGSON : The Individual and the Type BENEDETTO CROCE : Intuition and Expression The philosophers represented in this chapter are like Tolstoy , Véron , and ...
An Anthology Melvin Miller Rader. CHAPTER 3 Intuition - Expression . HENRI BERGSON : The Individual and the Type BENEDETTO CROCE : Intuition and Expression The philosophers represented in this chapter are like Tolstoy , Véron , and ...
Pagina 72
An Anthology Melvin Miller Rader. freshness of our inner life . Intuition is this sympathy or direct vision , and the artist is unusually gifted with it . Most works of art are the records of intuition , which alone penetrates to the ...
An Anthology Melvin Miller Rader. freshness of our inner life . Intuition is this sympathy or direct vision , and the artist is unusually gifted with it . Most works of art are the records of intuition , which alone penetrates to the ...
Pagina 86
... intuition is only intuition in so far as it is , in that very act , expression . An image that does not express , that is not speech , song , drawing , painting , sculpture or architecture - speech at least murmured to oneself , song at ...
... intuition is only intuition in so far as it is , in that very act , expression . An image that does not express , that is not speech , song , drawing , painting , sculpture or architecture - speech at least murmured to oneself , song at ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York