A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 48
Pagina 340
... judgment of taste , so also is its purity injured by the combination with Beauty of the Good ( viz . , that manifold ... judgment of Taste in respect of the beauty of a thing is made dependent on the purpose in its manifold , like a ...
... judgment of taste , so also is its purity injured by the combination with Beauty of the Good ( viz . , that manifold ... judgment of Taste in respect of the beauty of a thing is made dependent on the purpose in its manifold , like a ...
Pagina 341
... judgment can only be called exemplary , i.e. , a necessity of the assent of all to a judgment which is regarded as the example of a universal rule that we cannot state . Since an esthetical judgment is not an objective cognitive judgment ...
... judgment can only be called exemplary , i.e. , a necessity of the assent of all to a judgment which is regarded as the example of a universal rule that we cannot state . Since an esthetical judgment is not an objective cognitive judgment ...
Pagina 342
... judgments which contain an ought . It does not say that everyone will agree with my judgment , but that he ought . And so common sense , as an example of whose judgment I here put forward my judgment of taste and on account of which I ...
... judgments which contain an ought . It does not say that everyone will agree with my judgment , but that he ought . And so common sense , as an example of whose judgment I here put forward my judgment of taste and on account of which I ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York