A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 157
... kind of " public presence ” and a kind of " permanent presence " not possible in any case of actual experience . Because it has a public presence it is poten- tially sharable , and because it has a permanent presence it is more ...
... kind of " public presence ” and a kind of " permanent presence " not possible in any case of actual experience . Because it has a public presence it is poten- tially sharable , and because it has a permanent presence it is more ...
Pagina 209
... kind of emulsion , the method of developing , the photographer can vary the registering of relative values in the ... kind of negative necessary to produce a given kind of print , and then the kind of exposure and development neces- sary ...
... kind of emulsion , the method of developing , the photographer can vary the registering of relative values in the ... kind of negative necessary to produce a given kind of print , and then the kind of exposure and development neces- sary ...
Pagina 269
... kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
... kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York