A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 67
... language of the emotions has been widely held since Eugène Véron in 1878 declared that art is " the emotional ... language signifies in the phrase language of the emotions is therefore essentially medium of expression , and only ...
... language of the emotions has been widely held since Eugène Véron in 1878 declared that art is " the emotional ... language signifies in the phrase language of the emotions is therefore essentially medium of expression , and only ...
Pagina 184
... language which is quite cold and impersonal . Such language is simply a means to clearer conception , and a means to the communication of ideas . If scientists and philosophers are talking about mathematical propositions , or electrons ...
... language which is quite cold and impersonal . Such language is simply a means to clearer conception , and a means to the communication of ideas . If scientists and philosophers are talking about mathematical propositions , or electrons ...
Pagina 198
... language in the sense of speech , and other modes of expression . Of course , if he had said that speech is not the only form of language , but that every art speaks to us in a language of its own , that would have had much to be said ...
... language in the sense of speech , and other modes of expression . Of course , if he had said that speech is not the only form of language , but that every art speaks to us in a language of its own , that would have had much to be said ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York