A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 4
... living organism is a synthesis of matter and form produced by nature . The form of the statue can therefore be called " organic " by analogy . In the Poetics , Aristotle applied the concept of organic form to tragedy and epic poetry ...
... living organism is a synthesis of matter and form produced by nature . The form of the statue can therefore be called " organic " by analogy . In the Poetics , Aristotle applied the concept of organic form to tragedy and epic poetry ...
Pagina 77
... living tissue of feelings and events - something , in short , which has once happened and can never be repeated . We may , indeed , give general names to these feelings , but they cannot be the same thing in nother soul . They are ...
... living tissue of feelings and events - something , in short , which has once happened and can never be repeated . We may , indeed , give general names to these feelings , but they cannot be the same thing in nother soul . They are ...
Pagina 305
... living things , too , is the impinging of order upon order - the slow evolving of shapes accord- ing to function , and drift , and need . And other shapes - the ear , the hand- what mind could devise such shapes ! The veining of leaves ...
... living things , too , is the impinging of order upon order - the slow evolving of shapes accord- ing to function , and drift , and need . And other shapes - the ear , the hand- what mind could devise such shapes ! The veining of leaves ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York