A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 34
... look out for those aspects which can be rendered in lines - as we say in a pardonable abbreviation , he will tend to see his motif in terms of lines , while , brush in hand , he sees it in terms of masses . The question of why style ...
... look out for those aspects which can be rendered in lines - as we say in a pardonable abbreviation , he will tend to see his motif in terms of lines , while , brush in hand , he sees it in terms of masses . The question of why style ...
Pagina 304
... look at David Smith's sculpture where it is all so feelingly expressed . In painting , there are additional kinds of content which help to set the look and the shape and the colors of the work that we see today . There is a certain ...
... look at David Smith's sculpture where it is all so feelingly expressed . In painting , there are additional kinds of content which help to set the look and the shape and the colors of the work that we see today . There is a certain ...
Pagina 449
... look for unity , and we also look for variety , for balance and movement . We attend to the formal interrelations and cross connections in the work , to its underlying structure . . . . Fifthly , this work is a representational painting ...
... look for unity , and we also look for variety , for balance and movement . We attend to the formal interrelations and cross connections in the work , to its underlying structure . . . . Fifthly , this work is a representational painting ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York