A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 501
An Anthology Melvin Miller Rader. LEWIS MUMFORD The Esthetic Assimilation of the Machine In the arts , it is plain that the machine is an instrument with mani- fold and conflicting possibilities . It may be used to counterfeit older ...
An Anthology Melvin Miller Rader. LEWIS MUMFORD The Esthetic Assimilation of the Machine In the arts , it is plain that the machine is an instrument with mani- fold and conflicting possibilities . It may be used to counterfeit older ...
Pagina 504
... machine an exclusive sanctity and grace it did not merit . Lacking the courage to use the machine as an instrument of creative purpose , and being unable to attune themselves to new objectives and new standards , the esthetes were ...
... machine an exclusive sanctity and grace it did not merit . Lacking the courage to use the machine as an instrument of creative purpose , and being unable to attune themselves to new objectives and new standards , the esthetes were ...
Pagina 509
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York