A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 202
... material . Not only in the figure arts and the " fine arts , " but in architecture itself , few Italian Renaissance churches or palaces depend for their quality on materials . Many a Florentine building , courtyard , cloister , and hall ...
... material . Not only in the figure arts and the " fine arts , " but in architecture itself , few Italian Renaissance churches or palaces depend for their quality on materials . Many a Florentine building , courtyard , cloister , and hall ...
Pagina 205
... materials do not consist of mind rather than matter . I mean mind in the sense of ideas and problems . The artist lives on these . The rest is a question of ways and means , whether it be as material or technique . The creator is he who ...
... materials do not consist of mind rather than matter . I mean mind in the sense of ideas and problems . The artist lives on these . The rest is a question of ways and means , whether it be as material or technique . The creator is he who ...
Pagina 483
... material forces of production . The sum total of these relations of produc- tion constitutes the economic structure of society - the real foundation , on which rises a legal and political superstructure and to which correspond defi ...
... material forces of production . The sum total of these relations of produc- tion constitutes the economic structure of society - the real foundation , on which rises a legal and political superstructure and to which correspond defi ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York