A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 64
... matter , that is to say , apart from whether the feelings it transmits are good or bad .... How in the subject matter of art are we to decide what is good and what is bad ? Art like speech is a means of communication and therefore of ...
... matter , that is to say , apart from whether the feelings it transmits are good or bad .... How in the subject matter of art are we to decide what is good and what is bad ? Art like speech is a means of communication and therefore of ...
Pagina 187
... matter , " and its " form , " are of a single piece , one spirit and one body . Collingwood writes : " When the poem is written , there is nothing in it of which we can say ' this is a matter which might have taken a different form ' or ...
... matter , " and its " form , " are of a single piece , one spirit and one body . Collingwood writes : " When the poem is written , there is nothing in it of which we can say ' this is a matter which might have taken a different form ' or ...
Pagina 210
... MATTER AND COMPOSITION So far we have been considering the mechanics of photographic seeing . Now let us see how this camera - vision applies to the fields of subject mat- ter and composition . No sharp line can be drawn between the ...
... MATTER AND COMPOSITION So far we have been considering the mechanics of photographic seeing . Now let us see how this camera - vision applies to the fields of subject mat- ter and composition . No sharp line can be drawn between the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York