A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 59
... means of lines , colors , movements , sounds , or words , of emotions felt by man ( Véron ) . This is the experimental definition . According to the very latest definition ( Sully ) , ( 3 ) Art is " the production of some perma- nent ...
... means of lines , colors , movements , sounds , or words , of emotions felt by man ( Véron ) . This is the experimental definition . According to the very latest definition ( Sully ) , ( 3 ) Art is " the production of some perma- nent ...
Pagina 184
... means to clearer conception , and a means to the communication of ideas . If scientists and philosophers are talking about mathematical propositions , or electrons , or duty , freedom , the status of secondary qualities . . . they ...
... means to clearer conception , and a means to the communication of ideas . If scientists and philosophers are talking about mathematical propositions , or electrons , or duty , freedom , the status of secondary qualities . . . they ...
Pagina 432
... mean by this that he is supposed to see in those examples that common thing which I - for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means ...
... mean by this that he is supposed to see in those examples that common thing which I - for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York