A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 50
... ment preceded the manifestations of intellectual life by many centuries . The gratification , in esse or in posse , of either real or imaginary wants is the cause of happiness , joy , pleasure , and of all the feelings connected with ...
... ment preceded the manifestations of intellectual life by many centuries . The gratification , in esse or in posse , of either real or imaginary wants is the cause of happiness , joy , pleasure , and of all the feelings connected with ...
Pagina 109
... ment of " reservations " and " nature - parks " in places where the inroads of agriculture , traffic , or industry threaten to change the original face of the earth rapidly into something unrecognizable . The " reservation " is to main ...
... ment of " reservations " and " nature - parks " in places where the inroads of agriculture , traffic , or industry threaten to change the original face of the earth rapidly into something unrecognizable . The " reservation " is to main ...
Pagina 478
... ment beyond the satisfaction of every need . By merely gathering supplies around him for future use , and enjoying them in anticipation , he does , it is true , transcend the present moment - but without transcending time altogether ...
... ment beyond the satisfaction of every need . By merely gathering supplies around him for future use , and enjoying them in anticipation , he does , it is true , transcend the present moment - but without transcending time altogether ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York