A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 218
... mere episode , which is now being swept away again by the torrent of individualism ? May the film be perhaps not the beginning of a new artistic era , but merely the somewhat hesitant continuation of the old individualistic culture ...
... mere episode , which is now being swept away again by the torrent of individualism ? May the film be perhaps not the beginning of a new artistic era , but merely the somewhat hesitant continuation of the old individualistic culture ...
Pagina 337
... merely the object that pleases , but also its existence . On the other hand , the judgment of taste is merely contemplative ; i.e. , it is a judgment which , indifferent as regards the existence of an object , compares its char- acter ...
... merely the object that pleases , but also its existence . On the other hand , the judgment of taste is merely contemplative ; i.e. , it is a judgment which , indifferent as regards the existence of an object , compares its char- acter ...
Pagina 481
... merely make society possible , by letting one nature be curbed by another ; the ethical State can merely make it ( morally ) necessary , by subjecting the individual will to the general ; the aesthetic State alone can make it real ...
... merely make society possible , by letting one nature be curbed by another ; the ethical State can merely make it ( morally ) necessary , by subjecting the individual will to the general ; the aesthetic State alone can make it real ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York