A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 86
... mind , has in the sphere of art a clearness and self - evidence lacking , perhaps , elsewhere . In the crea- tion of a work of poetry , we are present , as it were , at the mystery of the creation of the world ; hence the value of the ...
... mind , has in the sphere of art a clearness and self - evidence lacking , perhaps , elsewhere . In the crea- tion of a work of poetry , we are present , as it were , at the mystery of the creation of the world ; hence the value of the ...
Pagina 198
... mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want of them , if you have them before your mind and have not the things in bodily presence at all ...
... mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want of them , if you have them before your mind and have not the things in bodily presence at all ...
Pagina 220
... mind . In the first rank of these gifts must be placed a particular kind of plastic imagination which enables the indi- vidual to see in his mind the exterior aspect of his body in each of its move- ments and each of its possible ...
... mind . In the first rank of these gifts must be placed a particular kind of plastic imagination which enables the indi- vidual to see in his mind the exterior aspect of his body in each of its move- ments and each of its possible ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York