A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 25
... nature is summed up in his dialogue The Decay of Lying : My own experience is that the more we study Art , the less we care for Nature . What Art really reveals to us is Nature's lack of design , her curious crudities , her ...
... nature is summed up in his dialogue The Decay of Lying : My own experience is that the more we study Art , the less we care for Nature . What Art really reveals to us is Nature's lack of design , her curious crudities , her ...
Pagina 94
... nature herself , without the mediation of the human artist - energies in which nature's art impulses are satisfied in the most immediate and direct way - first in the image world of dreams , whose completeness is not dependent upon the ...
... nature herself , without the mediation of the human artist - energies in which nature's art impulses are satisfied in the most immediate and direct way - first in the image world of dreams , whose completeness is not dependent upon the ...
Pagina 475
... nature , embodying the deepest human needs and potentialities , is created by man himself in the historical process . Strongly insisting on the sensory and passional nature of man , Marx holds that external nature is man's larger " body ...
... nature , embodying the deepest human needs and potentialities , is created by man himself in the historical process . Strongly insisting on the sensory and passional nature of man , Marx holds that external nature is man's larger " body ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York