A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 222
... necessary to create beauty must be first acquired as though they themselves were the end of art , they tend to replace it everywhere . It is then that the virtuoso appears , excellent in himself and necessary because virtuosity is the ...
... necessary to create beauty must be first acquired as though they themselves were the end of art , they tend to replace it everywhere . It is then that the virtuoso appears , excellent in himself and necessary because virtuosity is the ...
Pagina 434
... necessary and sufficient properties of what is being defined , where the statement purports to be a true or false claim about the essence of art , what characterizes and distinguishes it from everything else . Each of the great theories ...
... necessary and sufficient properties of what is being defined , where the statement purports to be a true or false claim about the essence of art , what characterizes and distinguishes it from everything else . Each of the great theories ...
Pagina 437
... necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell - Fry definition which leaves out subject - representation in painting , or the Croce theory which omits inclusion of the very important ...
... necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell - Fry definition which leaves out subject - representation in painting , or the Croce theory which omits inclusion of the very important ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York