A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 122
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The novel blots out external reality by substituting a more or less consistent mock ...
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The novel blots out external reality by substituting a more or less consistent mock ...
Pagina 125
... novel - already explained - this movement is expressed in different ways in poetry and in the novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by ...
... novel - already explained - this movement is expressed in different ways in poetry and in the novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by ...
Pagina 211
... novel is perhaps the most striking phenom- enon in the new literature . The works of Kafka and Joyce are no longer psychological novels in the sense that the great novels of the nineteenth century were . In Kafka , psychology is ...
... novel is perhaps the most striking phenom- enon in the new literature . The works of Kafka and Joyce are no longer psychological novels in the sense that the great novels of the nineteenth century were . In Kafka , psychology is ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York