A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 79
... observation that he lays hold of the potential in the real , and takes up what nature has left as a mere outline or sketch in his soul in order to make of it a finished work of art . Altogether different is the kind of observation from ...
... observation that he lays hold of the potential in the real , and takes up what nature has left as a mere outline or sketch in his soul in order to make of it a finished work of art . Altogether different is the kind of observation from ...
Pagina 153
... observing self . If we try to observe this observing self , questioning , for example , whether its observation is biased or impartial , we can do this only by retreating to a further self . It is useless to be exasperated or tantalized ...
... observing self . If we try to observe this observing self , questioning , for example , whether its observation is biased or impartial , we can do this only by retreating to a further self . It is useless to be exasperated or tantalized ...
Pagina 381
An Anthology Melvin Miller Rader. or observations and correlating procedures . Moreover , this way of looking is called " observation " -for what this means in the language of science — a specially controlled way of looking that can ...
An Anthology Melvin Miller Rader. or observations and correlating procedures . Moreover , this way of looking is called " observation " -for what this means in the language of science — a specially controlled way of looking that can ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York