A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 4
... organic " by analogy . In the Poetics , Aristotle applied the concept of organic form to tragedy and epic poetry . The subsequent history of " organic unity " as an esthetic concept is traced by Harold Osborne in Chapter 9. I shall not ...
... organic " by analogy . In the Poetics , Aristotle applied the concept of organic form to tragedy and epic poetry . The subsequent history of " organic unity " as an esthetic concept is traced by Harold Osborne in Chapter 9. I shall not ...
Pagina 306
... Organic Unity The concept of “ organic unity , " or more loosely , " unity in variety , " is commonly traced back to classical antiquity , though there is in fact little about it in the surviving literature . The not entirely happy ...
... Organic Unity The concept of “ organic unity , " or more loosely , " unity in variety , " is commonly traced back to classical antiquity , though there is in fact little about it in the surviving literature . The not entirely happy ...
Pagina 510
... organic environment just those elements that could be stated in abstract geometrical symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic functions : they even created on canvas or ...
... organic environment just those elements that could be stated in abstract geometrical symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic functions : they even created on canvas or ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York