A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 230
... particular - a particular art , a particular religion , a particular philosophy - is self - absorbed and self - centered and hence never free from bias . The truth is that every particular point of view ineluctably suffers from a warped ...
... particular - a particular art , a particular religion , a particular philosophy - is self - absorbed and self - centered and hence never free from bias . The truth is that every particular point of view ineluctably suffers from a warped ...
Pagina 401
... particular limitations ; we shall then see that on the literary and ideological plane the only really thorough - going Jansenists were Pascal and Racine , and perhaps Barcos , and that it is by reference to what they wrote that we ...
... particular limitations ; we shall then see that on the literary and ideological plane the only really thorough - going Jansenists were Pascal and Racine , and perhaps Barcos , and that it is by reference to what they wrote that we ...
Pagina 452
... particular concept is open or closed ( i.e. , whether a set of necessary and sufficient conditions can be offered for its use ) is not identical with the question of whether future instances to which the very same concept is applied may ...
... particular concept is open or closed ( i.e. , whether a set of necessary and sufficient conditions can be offered for its use ) is not identical with the question of whether future instances to which the very same concept is applied may ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York