A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 64
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
Pagina 65
... perception , was neither dis- tinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
... perception , was neither dis- tinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
Pagina 414
... perception to perception . Not that there is a steady increase . Sometimes I am fatigued and see and feel it less than at earlier times . And sometimes I analyze it and voluntarily reduce quality for that perception in order to fund the ...
... perception to perception . Not that there is a steady increase . Sometimes I am fatigued and see and feel it less than at earlier times . And sometimes I analyze it and voluntarily reduce quality for that perception in order to fund the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York