A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 247
... perhaps under the influence of very specialized perception , perhaps under some other controlling condition . To express the forms of what might be called " unlogicized " mental life ( a term we owe to Pro- fessor Henry M. Sheffer of ...
... perhaps under the influence of very specialized perception , perhaps under some other controlling condition . To express the forms of what might be called " unlogicized " mental life ( a term we owe to Pro- fessor Henry M. Sheffer of ...
Pagina 290
... Perhaps there is none ; for perhaps they have never had an esthetic emotion to confuse with their other emotions . The art that they call " beauti- ful " is generally closely related to the women . A beautiful picture is a photo- graph ...
... Perhaps there is none ; for perhaps they have never had an esthetic emotion to confuse with their other emotions . The art that they call " beauti- ful " is generally closely related to the women . A beautiful picture is a photo- graph ...
Pagina 469
... perhaps always , when insti- tutional concepts are dealt with . III The instances of dadaist art and similar present - day developments which have served to bring the institutional nature of art to our attention sug- gest several ...
... perhaps always , when insti- tutional concepts are dealt with . III The instances of dadaist art and similar present - day developments which have served to bring the institutional nature of art to our attention sug- gest several ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York