A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 109
... phantasy brings satisfaction , although the knowledge that it is not real- ity remains thereby unobscured . In phantasy , therefore , man can con- tinue to enjoy a freedom from the grip of the external world , one which he has long ...
... phantasy brings satisfaction , although the knowledge that it is not real- ity remains thereby unobscured . In phantasy , therefore , man can con- tinue to enjoy a freedom from the grip of the external world , one which he has long ...
Pagina 110
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
Pagina 113
... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up with some current impression , occasioned by some event in the present ...
... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up with some current impression , occasioned by some event in the present ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York