A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 184
... philosophical writing elegantly done . But the first , and the essential , aim of philosophical ( and scientific ) language is efficiency in conveying , not feeling of ideas , but ideas themselves . " Well said " in phi- losophy ...
... philosophical writing elegantly done . But the first , and the essential , aim of philosophical ( and scientific ) language is efficiency in conveying , not feeling of ideas , but ideas themselves . " Well said " in phi- losophy ...
Pagina 455
... philosophers wish not to have to face either factual problems or synoptic tasks , these are indeed questions which are more comfortably avoided than pursued . -The American Philosophical Quarterly , Vol . 2 ( 1965 ) NOTES 1. See William ...
... philosophers wish not to have to face either factual problems or synoptic tasks , these are indeed questions which are more comfortably avoided than pursued . -The American Philosophical Quarterly , Vol . 2 ( 1965 ) NOTES 1. See William ...
Pagina 547
... Philosophical Quarterly 5 ( 1968 ) . " Defining Art . " American Philosophical Quarterly 6 ( 1969 ) . Diffey , T. F. “ The Idea of Art . " BJA 17 ( 1977 ) . Fethe , G. B. " Craft and Art : A Phenomenological Distinction . " BJA 17 ...
... Philosophical Quarterly 5 ( 1968 ) . " Defining Art . " American Philosophical Quarterly 6 ( 1969 ) . Diffey , T. F. “ The Idea of Art . " BJA 17 ( 1977 ) . Fethe , G. B. " Craft and Art : A Phenomenological Distinction . " BJA 17 ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York