A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 11
... physical . A number of recent writers have attacked this position , contending that the work is , at least in many cases , a physical artifact . Both sides of the dispute are calling attention to important facts . Except in the case of ...
... physical . A number of recent writers have attacked this position , contending that the work is , at least in many cases , a physical artifact . Both sides of the dispute are calling attention to important facts . Except in the case of ...
Pagina 381
... physical objects — that is , as scientific observation and thought become sophisticated . Thus it is that , in the end , things as physical objects are conceived to consist essentially of " primary qualities , " meaning metrical or ...
... physical objects — that is , as scientific observation and thought become sophisticated . Thus it is that , in the end , things as physical objects are conceived to consist essentially of " primary qualities , " meaning metrical or ...
Pagina 413
... physical work of art — that is , the stone or bronze of a statue , the canvas and pigments of painting , the score of a piece of music , the paper and print of a book — and , second , the spectator . Here is the diagram : Physical Work ...
... physical work of art — that is , the stone or bronze of a statue , the canvas and pigments of painting , the score of a piece of music , the paper and print of a book — and , second , the spectator . Here is the diagram : Physical Work ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York