A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 35
... picture by George Inness of " The Lackawanna Valley , " which we know from the master's son was commissioned in 1855 as an advertisement for a railroad . At the time there was only one track running into the roundhouse , " but the ...
... picture by George Inness of " The Lackawanna Valley , " which we know from the master's son was commissioned in 1855 as an advertisement for a railroad . At the time there was only one track running into the roundhouse , " but the ...
Pagina 413
... picture , say El Greco's " Toledo " in the Metropolitan Museum . The physical picture has had a long continuous history since El Greco laid the pigments on the canvas . And , supposing I am the spectator , so have I as an organism and ...
... picture , say El Greco's " Toledo " in the Metropolitan Museum . The physical picture has had a long continuous history since El Greco laid the pigments on the canvas . And , supposing I am the spectator , so have I as an organism and ...
Pagina 432
... picture by a sharp one ? Isn't the indistinct one often exactly what we need ? Frege compares a concept to an area ... picture . So if I am shown various different leaves and told " This is called a ' leaf , ' " I get an idea of the ...
... picture by a sharp one ? Isn't the indistinct one often exactly what we need ? Frege compares a concept to an area ... picture . So if I am shown various different leaves and told " This is called a ' leaf , ' " I get an idea of the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York