A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 116
... pleasure in the presentation of his phantasies . The increment of pleasure which is offered us in order to release yet greater pleasure arising from deeper sources in the mind is called an “ incite- ment premium " or technically ...
... pleasure in the presentation of his phantasies . The increment of pleasure which is offered us in order to release yet greater pleasure arising from deeper sources in the mind is called an “ incite- ment premium " or technically ...
Pagina 172
... pleasure intimately bound up in the thing , inseparable from its character and constitution , the seat of which in us is the same as the seat of the perception . We naturally fail , under these circumstances , to separate the pleasure ...
... pleasure intimately bound up in the thing , inseparable from its character and constitution , the seat of which in us is the same as the seat of the perception . We naturally fail , under these circumstances , to separate the pleasure ...
Pagina 173
... pleasure . It is pleasure objectified . II . BEAUTY AS EXPRESSION Expression Defined We have found in the beauty of material and form the objectification of certain pleasures connected with the process of direct perception , with the ...
... pleasure . It is pleasure objectified . II . BEAUTY AS EXPRESSION Expression Defined We have found in the beauty of material and form the objectification of certain pleasures connected with the process of direct perception , with the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York