A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 95
Pagina 121
... poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in the first person . The images of dream , like the ideas of poetry , are ...
... poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in the first person . The images of dream , like the ideas of poetry , are ...
Pagina 127
... poetry and the novel the difference between changelessness and change , space and time , and it is clear that these are not mutually exclusive opposites but are ... poetry can be equated with dream , poetic technique Christopher Caudwell 127.
... poetry and the novel the difference between changelessness and change , space and time , and it is clear that these are not mutually exclusive opposites but are ... poetry can be equated with dream , poetic technique Christopher Caudwell 127.
Pagina 132
... poet who brings a new portion of external reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks ...
... poet who brings a new portion of external reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York