A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 87
... practical , whose social and cultural importance need not , of course , be insisted upon . So with the painter ; he ... practical action ; and , in the case of art , of the practical action which makes objects and instruments for the ...
... practical , whose social and cultural importance need not , of course , be insisted upon . So with the painter ; he ... practical action ; and , in the case of art , of the practical action which makes objects and instruments for the ...
Pagina 332
... practical response . It is the opposite of the sense that the thing beheld is a " real - life object " of practical or personal import . Distance , Bullough explains , has two aspects . First , there is a negative or inhibitory aspect ...
... practical response . It is the opposite of the sense that the thing beheld is a " real - life object " of practical or personal import . Distance , Bullough explains , has two aspects . First , there is a negative or inhibitory aspect ...
Pagina 348
... practical interest snaps like a wire from sheer over - tension , and we watch the consummation of some impending catastrophe with the marveling unconcern of a mere spectator . It is a difference of outlook , due - if such a metaphor is ...
... practical interest snaps like a wire from sheer over - tension , and we watch the consummation of some impending catastrophe with the marveling unconcern of a mere spectator . It is a difference of outlook , due - if such a metaphor is ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York