A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 261
... principle in its simplest form ; to show in some slight measure how association brings to music significance and ... principle of repetition for the creative principle of association , and later music finds itself in this respect as in ...
... principle in its simplest form ; to show in some slight measure how association brings to music significance and ... principle of repetition for the creative principle of association , and later music finds itself in this respect as in ...
Pagina 275
... principle of similarity organises stimulus elements in time as well as in space . The form pattern of a painting , which impinges upon the observer's mind , is not his first visual experience . It is the most recent phase of a prolonged ...
... principle of similarity organises stimulus elements in time as well as in space . The form pattern of a painting , which impinges upon the observer's mind , is not his first visual experience . It is the most recent phase of a prolonged ...
Pagina 341
... principle , then the person who lays them down in accordance with this latter would claim an unconditioned necessity for his judgment . If they were devoid of all principle , like those of a mere taste of sense , we would not allow them ...
... principle , then the person who lays them down in accordance with this latter would claim an unconditioned necessity for his judgment . If they were devoid of all principle , like those of a mere taste of sense , we would not allow them ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York