A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 115
... psychological novels , too , that only one person - once again the hero — is described from within ; the author dwells in his soul and looks upon the other people from outside . The psychological novel in general probably owes its ...
... psychological novels , too , that only one person - once again the hero — is described from within ; the author dwells in his soul and looks upon the other people from outside . The psychological novel in general probably owes its ...
Pagina 211
... psychological novel is perhaps the most striking phenom- enon in the new literature . The works of Kafka and Joyce are no longer psychological novels in the sense that the great novels of the nineteenth century were . In Kafka ...
... psychological novel is perhaps the most striking phenom- enon in the new literature . The works of Kafka and Joyce are no longer psychological novels in the sense that the great novels of the nineteenth century were . In Kafka ...
Pagina 257
... psychological need which the principle of tonality , or key , fulfills ; the necessity for a unifying organization in the sphere of sound , just as tempo and meter constitute a unifying principle in that of rhythm . Movement becomes ...
... psychological need which the principle of tonality , or key , fulfills ; the necessity for a unifying organization in the sphere of sound , just as tempo and meter constitute a unifying principle in that of rhythm . Movement becomes ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York