A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 81
... pure intuition " -pure , that is , of all historical and critical reference to the reality or unreality of the images of which it is woven , and apprehending the pure throb of life in its ideality . Doubtless , other things may be found ...
... pure intuition " -pure , that is , of all historical and critical reference to the reality or unreality of the images of which it is woven , and apprehending the pure throb of life in its ideality . Doubtless , other things may be found ...
Pagina 293
... pure esthetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to trans- port me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
... pure esthetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to trans- port me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
Pagina 296
... pure forms . We see things as ends in themselves , that is to say ; and at such moments is seems possible , and even probable , that we see them with the eye of an artist . Who has not , once at least in his life , had a sudden vision ...
... pure forms . We see things as ends in themselves , that is to say ; and at such moments is seems possible , and even probable , that we see them with the eye of an artist . Who has not , once at least in his life , had a sudden vision ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York