A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 182
... question " What does art em- body ? " is the wrong question . Looked at from within , the short answer is that what art embodies , what it means , cannot be stated in words at all . Even if the art is an art of words , as poetry is , a ...
... question " What does art em- body ? " is the wrong question . Looked at from within , the short answer is that what art embodies , what it means , cannot be stated in words at all . Even if the art is an art of words , as poetry is , a ...
Pagina 378
... question in this essay . My main question here is ( a ) whether there is a way of perceiving or ex- periencing things that can be distinguished as esthetic perception , and ( b ) whether it can be taught . Along with the latter goes ...
... question in this essay . My main question here is ( a ) whether there is a way of perceiving or ex- periencing things that can be distinguished as esthetic perception , and ( b ) whether it can be taught . Along with the latter goes ...
Pagina 401
... question should be asked . Both agreed that it had the following meaning : " To what extent did his ideas coincide with those of Antoine Arnauld , Nicole and other well - known thinkers who were universally acknowledged to be Jansenists ...
... question should be asked . Both agreed that it had the following meaning : " To what extent did his ideas coincide with those of Antoine Arnauld , Nicole and other well - known thinkers who were universally acknowledged to be Jansenists ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York