A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 122
... reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective emotional linkage behind the words , rises to the view ...
... reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective emotional linkage behind the words , rises to the view ...
Pagina 130
... reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in the ...
... reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in the ...
Pagina 132
... reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of reality . It may be the old ...
... reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of reality . It may be the old ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York