A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 80
... reason this state of mind is observable from without and capable of being corrected . But , on the other hand , just because laughter aims at correcting , it is expedient that the correction should reach as great a number of persons as ...
... reason this state of mind is observable from without and capable of being corrected . But , on the other hand , just because laughter aims at correcting , it is expedient that the correction should reach as great a number of persons as ...
Pagina 385
... reasons , only reasons that hold for particular cases , or that there are no valid critical reasons and hence no genuine reasons at all . Observing that some reasons are synonymous with or subordinate to others , he reduces the general ...
... reasons , only reasons that hold for particular cases , or that there are no valid critical reasons and hence no genuine reasons at all . Observing that some reasons are synonymous with or subordinate to others , he reduces the general ...
Pagina 392
... reasons . They would consider me wholly arbitrary in ruling them out . This challenge leads into the fourth question I intend to raise here : What good ( philosophical ) reason is there for holding that any particular ( critical ) reason ...
... reasons . They would consider me wholly arbitrary in ruling them out . This challenge leads into the fourth question I intend to raise here : What good ( philosophical ) reason is there for holding that any particular ( critical ) reason ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York