A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 152
... reference . Someone may speak of the experience of first seeing the sea or the high mountains ; he may emphasize as an experience the occasion when he first realized something . Anything long heard about and then experienced , such as ...
... reference . Someone may speak of the experience of first seeing the sea or the high mountains ; he may emphasize as an experience the occasion when he first realized something . Anything long heard about and then experienced , such as ...
Pagina 231
... reference , and in the moment of esthetic vision , any sense of reference is superseded by the immediate reality of the esthetic apparition . Since the word " symbol " is almost always used to denote reference , the work of art is a ...
... reference , and in the moment of esthetic vision , any sense of reference is superseded by the immediate reality of the esthetic apparition . Since the word " symbol " is almost always used to denote reference , the work of art is a ...
Pagina 340
... reference to what he has before his eyes , the other in reference to what he has in his thought . By means of this distinction we can settle many disputes about beauty between judges of taste ; by showing that the one is speaking of ...
... reference to what he has before his eyes , the other in reference to what he has in his thought . By means of this distinction we can settle many disputes about beauty between judges of taste ; by showing that the one is speaking of ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York