A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 115
... relation of the phantasy to the wish that runs through it and to the three periods of time ; and with its help let us study the connection be- tween the life of the writer and his productions . Hitherto it has not been known what ...
... relation of the phantasy to the wish that runs through it and to the three periods of time ; and with its help let us study the connection be- tween the life of the writer and his productions . Hitherto it has not been known what ...
Pagina 143
... relationship . To put one's hand in the fire that consumes it is not necessarily to have an ex- perience . The action ... relation to the whole that he desires to produce . To apprehend such relations is to think , and is one of the most ...
... relationship . To put one's hand in the fire that consumes it is not necessarily to have an ex- perience . The action ... relation to the whole that he desires to produce . To apprehend such relations is to think , and is one of the most ...
Pagina 484
... relations of production are the last antagonistic form of the social process of production - antagonistic not in the ... relation of Greek art and of that of Shakespeare's time to our own . It is a well known fact that Greek mythology ...
... relations of production are the last antagonistic form of the social process of production - antagonistic not in the ... relation of Greek art and of that of Shakespeare's time to our own . It is a well known fact that Greek mythology ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York