A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 292
... representation of three - dimensional space is to be called " representation , ” then I agree that there is one kind of representation which is not irrelevant . Also , I agree that along with our feeling for line and color we must bring ...
... representation of three - dimensional space is to be called " representation , ” then I agree that there is one kind of representation which is not irrelevant . Also , I agree that along with our feeling for line and color we must bring ...
Pagina 338
... representation , are here in free play , because no definite concept limits them to a definite rule of cognition . Hence , the state of mind in this representation must be a feeling of the free play of the representative powers in a ...
... representation , are here in free play , because no definite concept limits them to a definite rule of cognition . Hence , the state of mind in this representation must be a feeling of the free play of the representative powers in a ...
Pagina 525
... Representation , Relativism and Resemblance . " BJA 11 ( 1971 ) . Maritain , Jacques . Art and Scholasticism . New York : Scribner , 1930 . Creative Intuition in Art and Poetry . New York : Pantheon , 1953 . McKeon , Richard P ...
... Representation , Relativism and Resemblance . " BJA 11 ( 1971 ) . Maritain , Jacques . Art and Scholasticism . New York : Scribner , 1930 . Creative Intuition in Art and Poetry . New York : Pantheon , 1953 . McKeon , Richard P ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York