A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 204
... Sculpture is carving a solid , we are told , and painting the application of a design to a surface . It follows from these definitions that Ghiberti's " Gates of Paradise " and Filarete's bronze doors of St. Peter's are sculpture . To ...
... Sculpture is carving a solid , we are told , and painting the application of a design to a surface . It follows from these definitions that Ghiberti's " Gates of Paradise " and Filarete's bronze doors of St. Peter's are sculpture . To ...
Pagina 460
... sculpture " is intelligible does not prove what Weitz wants it to prove . Weitz would have to show that " sculpture " is being used in the sentence in question in the classificatory sense , and this he makes no attempt to do . My ...
... sculpture " is intelligible does not prove what Weitz wants it to prove . Weitz would have to show that " sculpture " is being used in the sentence in question in the classificatory sense , and this he makes no attempt to do . My ...
Pagina 510
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space . " ( Editor's note . ) IAN MCHARG Design with Nature Thirty years ...
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space . " ( Editor's note . ) IAN MCHARG Design with Nature Thirty years ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York