A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 72
... sensation , which is relatively passive , these stages may be schematized as follows : 1. Knowing , or theoretic ... sensations to float lazily through the mind , or combines them arbitrarily . Art is complete only when the spirit ...
... sensation , which is relatively passive , these stages may be schematized as follows : 1. Knowing , or theoretic ... sensations to float lazily through the mind , or combines them arbitrarily . Art is complete only when the spirit ...
Pagina 194
... sensations within the body but cannot inspect the outer movements ; the spectator is aware of the outer appearance of the body but does not experience the inner sensations . Unless the dancer's body - images correspond to objective ...
... sensations within the body but cannot inspect the outer movements ; the spectator is aware of the outer appearance of the body but does not experience the inner sensations . Unless the dancer's body - images correspond to objective ...
Pagina 410
... sensations . There is no very good reason why he should not have included the external sensations also when these are present . Actually , in any emotional reaction there is no clear separation of visual , auditory , or tactile ...
... sensations . There is no very good reason why he should not have included the external sensations also when these are present . Actually , in any emotional reaction there is no clear separation of visual , auditory , or tactile ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York