A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 241
... shape . Perhaps the easiest way to grasp the idea of " logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide ...
... shape . Perhaps the easiest way to grasp the idea of " logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide ...
Pagina 305
... shapes accord- ing to function , and drift , and need . And other shapes - the ear , the hand- what mind could devise such shapes ! The veining of leaves , of nerves , of roots ; the unimaginable varieties of shape of aquatic things ...
... shapes accord- ing to function , and drift , and need . And other shapes - the ear , the hand- what mind could devise such shapes ! The veining of leaves , of nerves , of roots ; the unimaginable varieties of shape of aquatic things ...
Pagina 433
... shape must the sample of the color green be ? Should it be rectangular ? Or would it then be the sample of a green rectangle ? —So should it be " irregular " in shape ? And what is to prevent us then from regarding it — that is , from ...
... shape must the sample of the color green be ? Should it be rectangular ? Or would it then be the sample of a green rectangle ? —So should it be " irregular " in shape ? And what is to prevent us then from regarding it — that is , from ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York