A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 78
Pagina 124
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social rela- tions of that age . For the experience of men in general is determined in general by the social relations ...
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social rela- tions of that age . For the experience of men in general is determined in general by the social relations ...
Pagina 400
... social group ( a group which , in most cases , assumes the existence of a social class ) and which opposes them to members of other social groups . This is certainly a highly schematic view , an extrapolation made by the historian for ...
... social group ( a group which , in most cases , assumes the existence of a social class ) and which opposes them to members of other social groups . This is certainly a highly schematic view , an extrapolation made by the historian for ...
Pagina 483
... SOCIAL , POLITICAL , AND CULTURAL PROCESSES OF LIFE In the social production which men carry on they enter into definite rela- tions that are indispensable and independent of their will ; these relations of production correspond to a ...
... SOCIAL , POLITICAL , AND CULTURAL PROCESSES OF LIFE In the social production which men carry on they enter into definite rela- tions that are indispensable and independent of their will ; these relations of production correspond to a ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York