A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 197
... speak , into its own meaning , and we are left with no characteristic medium at all . I do not think there can be any doubt about the true attitude here . Poetry , like the other arts , has a physical or at least a sensuous medium , and ...
... speak , into its own meaning , and we are left with no characteristic medium at all . I do not think there can be any doubt about the true attitude here . Poetry , like the other arts , has a physical or at least a sensuous medium , and ...
Pagina 273
An Anthology Melvin Miller Rader. 2. GESTALT PSYCHOLOGY AND ARTISTIC FORM The French speak of Gestalt psychology as ... speaking of the arts - it is necessary to see that the Gestalt theory deals with form only as the manifestation of ...
An Anthology Melvin Miller Rader. 2. GESTALT PSYCHOLOGY AND ARTISTIC FORM The French speak of Gestalt psychology as ... speaking of the arts - it is necessary to see that the Gestalt theory deals with form only as the manifestation of ...
Pagina 408
... speak with a fairly high degree of approximation to agreement of the quality of the poem . We shall have more to say about this matter later ; but for the present let it rest at this , that while technically it is true that the quality ...
... speak with a fairly high degree of approximation to agreement of the quality of the poem . We shall have more to say about this matter later ; but for the present let it rest at this , that while technically it is true that the quality ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York