A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 183
... structure unashamedly ( though much engineering structure is too complex to be shown up in a building and for various rea- sons must be hidden ) . Why ? Because architecture is nothing but engineer- ing ? But if engineering , why ...
... structure unashamedly ( though much engineering structure is too complex to be shown up in a building and for various rea- sons must be hidden ) . Why ? Because architecture is nothing but engineer- ing ? But if engineering , why ...
Pagina 184
... structure , with esthetic treatment of vaulting or buttress , or the modern deliberate emphasis of the glass - and - steel structural grid , or the use in various ways of organic or geometrical motifs . In all cases architecture as art ...
... structure , with esthetic treatment of vaulting or buttress , or the modern deliberate emphasis of the glass - and - steel structural grid , or the use in various ways of organic or geometrical motifs . In all cases architecture as art ...
Pagina 313
An Anthology Melvin Miller Rader. HORATIO GREENOUGH Structure and Organization The developments of structure in the animal kingdom are worthy of all our attention if we would arrive at sound principles in building . The most striking ...
An Anthology Melvin Miller Rader. HORATIO GREENOUGH Structure and Organization The developments of structure in the animal kingdom are worthy of all our attention if we would arrive at sound principles in building . The most striking ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York