A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 318
... style or specific traits . The historical study of individual and group styles also discloses typical stages and processes in the development of forms . For the synthesizing historian of culture or the philosopher of history , the style ...
... style or specific traits . The historical study of individual and group styles also discloses typical stages and processes in the development of forms . For the synthesizing historian of culture or the philosopher of history , the style ...
Pagina 325
... style will per- haps lead to a more refined conception of style . It is evident , at any rate , that the conception of style as a visibly unified constant rests upon a particular norm of stability of style and shifts from the large to ...
... style will per- haps lead to a more refined conception of style . It is evident , at any rate , that the conception of style as a visibly unified constant rests upon a particular norm of stability of style and shifts from the large to ...
Pagina 540
... Styles . " JAAC 29 ( 1970 ) . Gombrich , E. H. “ Style . ” In David L. Sills ( ed . ) , International Encyclopedia of the Social Sciences . New York : Macmillan Company and Free Press , 1968 , Vol . 15 , pp . 352-361 . Hauser , Arnold ...
... Styles . " JAAC 29 ( 1970 ) . Gombrich , E. H. “ Style . ” In David L. Sills ( ed . ) , International Encyclopedia of the Social Sciences . New York : Macmillan Company and Free Press , 1968 , Vol . 15 , pp . 352-361 . Hauser , Arnold ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York