A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 180
... sublime is an act . This act is neces- sarily pleasant , for if it were not the sublime would be a bad quality and one we should rather never encounter in the world . The glorious joy of self- assertion in the face of an uncontrollable ...
... sublime is an act . This act is neces- sarily pleasant , for if it were not the sublime would be a bad quality and one we should rather never encounter in the world . The glorious joy of self- assertion in the face of an uncontrollable ...
Pagina 343
... Sublime , on the other hand , is to be found in a formless object , so far as in it or by occasion of it boundlessness is repre- sented , and yet its totality is also present to thought . Thus the Beautiful seems to be regarded as the ...
... Sublime , on the other hand , is to be found in a formless object , so far as in it or by occasion of it boundlessness is repre- sented , and yet its totality is also present to thought . Thus the Beautiful seems to be regarded as the ...
Pagina 344
... sublime , we soon see that it is not permissible to seek for an adequate standard of this outside itself , but merely in itself . It is a magnitude which is like itself alone . It follows hence that the sublime is not to be sought in ...
... sublime , we soon see that it is not permissible to seek for an adequate standard of this outside itself , but merely in itself . It is a magnitude which is like itself alone . It follows hence that the sublime is not to be sought in ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York