A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 337
... taste is merely contemplative ; i.e. , it is a judgment which , indifferent as regards the existence of an object , compares its char- acter with the feeling of pleasure and pain . But this contemplation itself is not directed to ...
... taste is merely contemplative ; i.e. , it is a judgment which , indifferent as regards the existence of an object , compares its char- acter with the feeling of pleasure and pain . But this contemplation itself is not directed to ...
Pagina 338
... taste , which he nevertheless re- quires from them . Here , then , we cannot say that each man has his own particular taste . For this would be as much as to say that there is no taste whatever , i.e. , no esthetical judgment , which ...
... taste , which he nevertheless re- quires from them . Here , then , we cannot say that each man has his own particular taste . For this would be as much as to say that there is no taste whatever , i.e. , no esthetical judgment , which ...
Pagina 340
... taste , so also is its purity injured by the combination with Beauty of the Good ( viz . , that manifold which is ... Taste in respect of the beauty of a thing is made dependent on the purpose in its manifold , like a judgment of Reason ...
... taste , so also is its purity injured by the combination with Beauty of the Good ( viz . , that manifold which is ... Taste in respect of the beauty of a thing is made dependent on the purpose in its manifold , like a judgment of Reason ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York