A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 434
... Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of art which can be formulated into a definition of it . It ...
... Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of art which can be formulated into a definition of it . It ...
Pagina 435
... theory of art is . In this essay I want to plead for the rejection of this problem . I want to show that theory — in the requisite classical sense - is never forthcoming in esthetics , and that we would do much better as philosophers to ...
... theory of art is . In this essay I want to plead for the rejection of this problem . I want to show that theory — in the requisite classical sense - is never forthcoming in esthetics , and that we would do much better as philosophers to ...
Pagina 437
... theory of art as significant form which is defined in part in terms of our response to significant form . Some of them , in their search for necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell ...
... theory of art as significant form which is defined in part in terms of our response to significant form . Some of them , in their search for necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York