A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 32
... things . The highest , as the lowest , form of criticism is a mode of autobiography . Those who find ugly meanings in beautiful things are corrupt without being charming . This is a fault . Those who find beautiful meanings in beautiful ...
... things . The highest , as the lowest , form of criticism is a mode of autobiography . Those who find ugly meanings in beautiful things are corrupt without being charming . This is a fault . Those who find beautiful meanings in beautiful ...
Pagina 198
... things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want ...
... things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want ...
Pagina 381
... things as physical objects — that is , as scientific observation and thought become sophisticated . Thus it is that , in the end , things as physical objects are conceived to consist essentially of " primary qualities , " meaning ...
... things as physical objects — that is , as scientific observation and thought become sophisticated . Thus it is that , in the end , things as physical objects are conceived to consist essentially of " primary qualities , " meaning ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York