A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 51
... tion of light and shade , etc. The instinctive search after this kind of emo- tion or pleasure , the special organ of which is the eye , has given birth to what are called the arts of design - sculpture , painting and architecture . We ...
... tion of light and shade , etc. The instinctive search after this kind of emo- tion or pleasure , the special organ of which is the eye , has given birth to what are called the arts of design - sculpture , painting and architecture . We ...
Pagina 168
... tion . It is proper to childhood , when the body and mind are not yet fit to cope with the environment , but it is unseemly in manhood and pitiable in old age , because it marks an atrophy of human nature , and a failure to take hold of ...
... tion . It is proper to childhood , when the body and mind are not yet fit to cope with the environment , but it is unseemly in manhood and pitiable in old age , because it marks an atrophy of human nature , and a failure to take hold of ...
Pagina 501
... tion which is but one step away from paralysis . But in the application of mechanical instruments to the arts it is not the machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with ...
... tion which is but one step away from paralysis . But in the application of mechanical instruments to the arts it is not the machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York