A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 105
... tragedy taught resignation ( that is , a meek renunciation of happiness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then constitute a process of dissolution ; the ...
... tragedy taught resignation ( that is , a meek renunciation of happiness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then constitute a process of dissolution ; the ...
Pagina 230
... tragedy . In comedy , the one - sidedness is ridiculous and not too serious ; in tragedy , it is catastrophic . Tragedy involves conflict between forces which are each , in a limited way , justifiable . That which is destroyed in the ...
... tragedy . In comedy , the one - sidedness is ridiculous and not too serious ; in tragedy , it is catastrophic . Tragedy involves conflict between forces which are each , in a limited way , justifiable . That which is destroyed in the ...
Pagina 440
... tragedy " and " ( extant ) Greek tragedy . " The first is open and must remain so to allow for the possibility of new conditions , for example , a play in which the hero is not noble or fallen or in which there is no hero but other ...
... tragedy " and " ( extant ) Greek tragedy . " The first is open and must remain so to allow for the possibility of new conditions , for example , a play in which the hero is not noble or fallen or in which there is no hero but other ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York